| Reggie JacksonThe Magnitude of Me
 REGGIE
      JACKSON WAS A HOT DOG, with extra mustard. No other player so enjoyed being the center 
of attention, either at the plate or in front of a microphone. No other player 
had such a knack for rising to the occasion with a dramatic home run or a well-timed 
quip. No other player occupied such a grand space in his own mind:  
"I'm the straw 
that stirs the drink." "I represent
    both the underdog
and the overdog in our society." "Sometimes I underestimate 
the magnitude of me."  And no other player 
occupied such a powerful, primal place in the mind of an eight-year old boy just 
beginning to understand the game.  The switch was
     flipped for me in 1978. Before, baseball was a game of catch or whiffle
    ball in  the back yard, and an occasional TV show Dad watched. But in a quick
    flash  a 
surge, if you will  I comprehended it as a professional sport whose players
 had discernable personalities, and whose comings and goings were as accessible
 as the morning paper. I collected baseball cards, learned to read a box score
 and followed the pennant races in the daily standings. In 1977 I had watched
the  World Series between the Dodgers and the Yankees at my father's knee, paying
only  intermittent attention. I was tucked in when Reggie entered the pantheon
with  his three-homer
 game. But by the time the two teams met for a Series rematch I could name
  most of both teams' stars. I could recite the Dodger batting order by heart.
 I  read about Don
  Sutton's fight with Steve Garvey in the Dodger clubhouse. I saw Bucky Dent's
   home run. And I knew Reggie Jackson was a money player.  He'd already become 
a baseball benchmark in my family. When I played catch with Dad, occasionally 
he'd toss me one that would sting my hand or glance off of my glove. If I complained 
about the location of the throw, he'd shout, "Don't hit 'em so hard, Reggie!" 
The lesson: be tough, don't complain, and don't expect any opponent to cut you 
slack.  In the middle of 
the season, the Yanks were struggling. While this may have been cause for glee 
in our Dodger-rooted household, my father cautioned against jumping to any early 
conclusions. He read to me a quote from Reggie Jackson in Time Magazine: 
"It doesn't matter where you are when the leaves are on the trees, it matters 
where you are when the leaves are on the ground." A neat paraphrasing of Yogi 
Berra's most famous axiom, "It ain't over 'till it's over," but one that reached 
me sooner than the original philosopher.  The lesson was 
reiterated when the Yanks found their way back to the Series, led by Mr. October 
himself. Where Reggie once again became the show, of course. He hit two tape-measure 
home runs, obstructed a crucial double play by taking 
a throw in the hip on his way from first, and in the Series' most memorable 
moment, struck out at the hands of Bob Welch to end Game 2swinging with 
the violence of a condemned man crashing through the gallows. Jackson's failure 
was so rare yet so dramatic, it was immediately cast into verse a la "Casey 
at the Bat" by AP Special Correspondant Jules Loh (see sidebar). I hated the Yankees 
back then, but despite his Dodger-killing, I could find no malice towards Reggie. 
I prized his baseball card, I ate his candy bar, I admired his home runs. He hit 
them with the best everhis 563 dingers still rank sixth all-time, and it 
is only with the current era's explosion of offense that men like McGwire and 
Bonds have approached the rarefied air he occupies.  I saw Reggie
    in  spring training 1986, still looking strangely out of place in the uniform
    of the  California Angels. Finding myself in the right place at the right
    time (or so  I thought), he brushed right past me and a horde of others as
    we extended our  pens to him. Reggie refused to sign autographs, saying he
    had a game to play.  I was disappointed, but not heartbroken  I'd at
    least gotten to touch the  man as he cut through the crowd. He was real. Reggie finished
     his career with the Oakland A's in 1987, looking considerably more at home
    in  the
    garish  green-and-gold. Late
     in that season, the A's were still alive in the division race. One night,
    Dad  and I watched the local sportscast as they showed a crucial moment  the
    A's  were down to their final outs, but had Reggie at the bat in a pinch-hitting
    situation.  I found myself pulling for him to do homer one last time, but
    again there was  no joy. Reggie struck out. Knowing that the end was near
    for Reggie, I turned  to my father and said, "He always kept it interesting,
    didn't he?"  He nodded and grinned. 
"That he did."   | 
 
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| Destiny,
       Ah Fate, Mighty Reggie has Struck Out!by Jules 
Loh,
 AP Special Correspondant, 1978
 The 
outlook wasn't brilliant for the Yankees in L.A.
 The score stood 
4-3, two out,
 one inning left to play.
 But when Dent slid safe at second
 and Blair got on at first
 Every screaming Dodger fan had
 cause to fear the worst.
 For there before the multitude 
 Ah destiny! Ah fate!
 Reggie Jackson, mighty Reggie,
 was advancing to the plate.
 Reggie, whose three home runs
 had won the year before,
 Reggie, whose big bat tonight
 fetched every Yankee score.
 On the mound to face him
 stood the rookie, young Bob Welch.
 A kid with a red hot fastball 
 Reggie's pitch  and nothing else.
 Fifty-thousand voices cheered
 as Welch gripped ball in mitt.
 One hundred thousand eyes watched Reggie rub his bat and spit.
 "Throw your best pitch, kid, and duck," Reggie seemed to say.
 The kid just glared. He must have
 known this wasn't Reggie's day.
 His fist pitch was a blazer.
 Reggie missed it clean
 Fifty-thousand throats responded
 with a Dodger scream.
 They squared off, Reggie and the kid, each knew what he must do.
 And seven fastballs later,
 the count was three and two.
 No shootout on a dusty street
 out here in the Far West
 Could match the scene:
 A famous bat,
 a kid put to the test.
 One final pitch. The kid reared back
 and let a fastball fly.
 Fifty-thousand Dodger fans
 gave forth one final cry...
 Ah, the lights still shine on Broadway,
 but there isn't any doubt
 The Big Apple has no joy left.
 Mighty Reggie has struck out.
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